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Orkestra Melayu Singapura
By Nureza Ahmad written on 2004-04-21
National Library Board Singapore
Comments on article: InfopediaTalk
Singapore's first Malay orchestra,
the Orkestra Melayu Singapura (OMS) was set up by the
People's Association (PA) in September 1991. Formed to
preserve and promote Malay music in Singapore, the OMS is the
only orchestra in Singapore to combine modern and traditional
instruments in Malay music performance. The orchestra's
repertoire includes original compositions and traditional Malay
pieces. It has given concerts such as Malam Rentak Dan Irama,
Malam Gurindam Syawal, Dagang Nusantara and Gurindam Melayu
Asli.
History
The first decade
In August 1991, as part of its attempt to preserve and promote
Malay music in Singapore, the People's Association began
looking for musicians to join the Orkestra Melayu Singapura
(OMS). Applicants had to be able to play a brass or woodwind
instruments, and once selected they had to attend weekly
training at the PA. Following that first audition in 1991, a
twenty-three-strong member OMS was formed in September
1991.
Mohd Mokhtar Abdullah, a composer and musician, was its first
conductor. The orchestra's repertoire includes original
compositions and traditional Malay pieces. The OMS gave its
debut performance at the World Trade Centre auditorium on 11
April 1992. That debut led to subsequent concerts played during
cultural events and festive occasions, and on occasions the OMS
collaborated with other local and regional orchestras.
In April 1994, the Orkestra held the Malam Gurindam
Syawal (Night of Syawal Lyric Poetry) in conjunction with
the Hari Raya Puasa celebration. The concert had a
twenty-one-item programme played by its thirty-piece orchestra.
However, the OMS was criticised for not using any traditional
Malay instruments in its programme. To this, conductor Mokhtar
lamented the difficulty in enticing experienced Malay
traditional musicians to join the group. Most of its members
were amateur musicians and attended practice sessions on
voluntary basis. They consisted of, among others, school
students, undergraduates and taxi drivers, from the teens to
the late 40s. They were given an allowance for attending
training sessions, while the orchestra received only a nominal
sum as payment for its performance. In addition, invitations to
perform were infrequent. On average, it received about four
invitations to perform a year.
In 1996, the OMS adopted a new strategy in its effort to endear
the young to asli or traditional music. In its annual
concert entitled Gurindam Melayu Asli (Traditional Malay
Folk Songs) held in April that year, the Orkestra fused the
sounds of traditional and contemporary Western instruments.
Their arrangements boasted of traditional instruments such as
the gong, and different kinds of drums like ketuk,
boning and kenong, and Western instruments such as
the violin, clarinet, saxophone, piano and guitar. In addition,
two original compositions, Jebat and
Persimpangan, premiered at the concert.
In June 1997, it participated in the Festival of Asian
Performing Arts. It performed Crossroads, which was a
combined effort from musicians from the Singapore Indian
Orchestra and Choir and the PA's Youth Chinese Orchestra.
Crossroads was a fusion piece made up of Chinese, Indian
and Malay elements, and was conducted by L. Vaidyanathan, one
of India's leading composers and conductors. Once again in
2002, L. Vaidyanathan conducted a fusion-piece concert,
Sangamam, that combined Indian, Chinese, Malay and Western
musical elements.
In February 1999, the OMS, together with the PA's Malay
Dance Group, participated in the Cathay Pacific Chinese New
Year Parade in Hong Kong. They performed a dance and musical
performance called Kampung Celebrations, which told the
story of a traditional circumcision ceremony for Malay
boys.
Tenth anniversary and beyond
The OMS marked its tenth anniversary in April 2001 with a
concert called Dancegema Warisan (Echoes of Heritage) at
the Singapore Conference Hall. The programme, led by its
conductor Mohd Jais Minsawi, comprised mainly new compositions
with a few traditional pieces added in. The concert featured
guest artists from Sumatra playing instruments such as
talempong, sarunai, bangsi and saluang. 2001 also
saw the formation of a specialised wing called the Kombo
Orkestra Melayu Singapura. This new offshoot of the OMS focuses
on the fusion of modern and traditional Malay music.
In June 2002, the OMS participated in the People's
Association Malay Activity Co-ordinating Council (MESRA)'s
musical Gentarasa (Chimes of Expressions). The musical
was a showcase blending elements of the Malay performing arts.
Performing arts groups, such as those for dance and silat,
moved to traditional music played and sung live during the
show. Gentarasa is now an annual event since that first
concert in 2002.
The OMS was also part of a Singapore-Malaysia-Indonesia
ensemble called Perahu - Breaking the Waves. This was performed
in October 2002 as part of the one-month-long festival that
marked the opening of Singapore's Esplanade- Theatres on
the Bay.
Performances
April 1994 : Malam Gurindam Syawal
April 1996 : Gurindam Melayu Asli
June 1997 : Crossroads
February 1999 : Kampung Celebrations
April 2001 : Dancegema Warisan
June 2002 - : Gentarasa
October 2002 : Perahu - Breaking the Waves
Malam Rentak Dan Irama
Dagang Nusantara
Author
Nureza Ahmad
References
Er, S. (1997, June 21). Performing arts: Indian maestro for
classical pieces. The Straits Times.
Filzah Hadi. (1994, April 18). Show of support for Malay
orchestra. The Straits Times, Life, p. 11.
Junaidah Dahlan (1996, April 30). Novel way to introduce young
to traditional music. The Straits Times, Life, p.
6
Teo, J. (2001, September 4). Big band, Malay style. The
Straits Times.
Malay cultural feast at Arts Fest. ( 2002, May 21). The
Straits Times.
Music: Kombo Orkestra Melayu Singapura. (2001, June 7). The
Straits Times, Life! Whats on.
Horse play heads for HK. (1999, February 15). The Straits
Times.
First Malay orchestra hopes to make music with a difference.
(1992, January 20). The Straits Times.
Promoting Malay music. (1992, January 16). The Business
Times, p.4.
Talent for Malay orchestra. (1991, August 2). The Straits
Times.
Further Readings
Bianpoe, C. (2002, October 11). Esplanade Theatres on the Bay
opens festival. The Jakarta Post, Features.
Tan, S. E. (2002, June 17). Experiment gone very wrong. The
Straits Times.
People's Association. (2002). MESRA : People's
Association Malay Activity Co-ordinating Council.
Retrieved on 21 April, 2004, from www.mesra.org.sg/index.html#
People's Association. (n.d.). Likeskills and lifestyle
@ PA. Retrieved on 21 April, 2004, from
www.lifeskills-lifestyle.pa.gov.sg/html/services/boxoffice_groups_oms.htm
The information in this article is valid as at 2004 and correct as far as we are able to ascertain from our sources. It is not intended to be an exhaustive or complete history of the subject. Please contact the Library for further reading materials on the topic.
Subject
Arts>>Performing Arts>>Music
Ethnic Communities
Orchestra--Singapore
Performing arts--Singapore
Arts>>Music
People and communities>>Social groups and communities
All Rights Reserved. National Library Board Singapore 2004.